Jun 28, 2013 to Sep 30, 2013
Angels and Tomboys
Girlhood in 19th Century American Art
June 28- September 30
In the aftermath of the Civil War, the American girl seemed transformed—at once more introspective and adventurous than the previous generation. Although the culture still prized the demure female child of the past, many saw a bolder type as the new, alternate ideal. Girlhood was no longer simple, and the complementary images of angel and tomboy emerged as competing visions of this new generation. For the first time, girls claimed the attention of genre artists, and girlhood itself seized the imagination of the nation. Angels and Tomboys: Girlhood in Nineteenth-Century American Art explores the myriad ways artists portrayed young girls: from the sentimental, innocent stereotype to the free-spirited individual.
The exhibition includes approximately 80 masterworks, including paintings, sculpture, prints, and photographs. Works by John Singer Sargent, Winslow Homer, and Thomas Eakins, together with those by leading women artists, such as Cecilia Beaux and Mary Cassatt, reveal a new, provocative psychological element not found in early Victorian portraiture. The mischievous tomboys in Lilly Martin Spencer’s paintings and the pure angels in the works of Abbot Handerson Thayer underscore the complexity of girlhood. This exhibition is an illuminating exploration of what it meant to be young, female, and American in the nineteenth century. Visit http://crystalbridges.org/Exhibitions/angels-and-tomboys for more information.
Angels & Tomboys: Girlhood in 19th Century American Art was organized by the Newark Museum.
Sponsored at Crystal Bridges by Greenwood Gearhart Inc. and NWA Media/Arkansas Democrat-Gazette.
Crystal Bridges Museum of American Art
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